SKILLSHARE - Creative Journey: 30 Days of Self Portraits as a Means of Self Discovery

For the month of January I’ve committed to focussing my subverted selfie project on my participation in a Skillshare workshop that’s been designed to be done over 30 days. Specifically, the course is called “Creative Journey: 30 Days of Self Portraits as a Means of Self Discovery” and it’s taught by professor Lucy Lambriex (who also teaches the workshop I’ve been doing about overcoming cameras shyness).


Day 02: THE OBJECT

The second day’s theme asked students to choose an object that evokes a meaning, and speaks volumes about yourself… and portray it in a way that part of you is in the photo as well. This post also served as my subverted selfie post for January 2, 2022 on Instagram.

  1. Which object did you chose? I chose a small get well soon teddy bear, that holds importance to me as I got her while I was hospitalized last fall for issues related to my ongoing depression. I even wrote about the meaning she held to me in this Instagram post from September 27, 2021. At first, I thought it was going to be hard finding an object, but once I glanced at my nightstand and saw my little bear, whose name is Bianca, I knew I had found the object to portray in today’s selfie.

  2. What was it like to play with? I enjoyed holding her in different positions. She comforts me so easily when I’m feeling anxious, overwhelmed or stressed. I’ve photographed myself with this bear before, and as such, I knew I wanted to shoot this object with me differently than I have done before. I think maybe in the future, I’d incorporate movement into the shot, by perhaps tossing her up in the air somehow. But that would require more work to do, and using an interval timer to shoot several shots in a row.


Day 01: THE BODY PART

The first day’s theme asked students to explore a specific body part in a variety of different angles. It made me remember what Ron Long had to say about photographing wild flowers, in that it was best to work your subject from as many angles.

I actually made the first photo my subverted selfie project post for January 1, 2022, which is an ongoing Instagram project I’ve been trying to do daily since January 1, 2020. It’s also posted on my Flickr.

The project had me answer several questions about today’s prompt, which I answered as follows:

  1. Which body part did you pick? Ultimately, I decided to focus in on my index finger. But shooting this finger wasn’t necessarily my first choice. I actually started playing with shooting my middle finger.

  2. Why? Part of my initial choice to focus on my middle finger was as a homage to Ai Wei Wei and his STUDY OF PERSPECTIVE photographic series he did between 1995 and 2003. For me, I found myself frustrated with having to shovel the sidewalks again, as they had been filled in by the City of Surrey street ploughs, who send snow from the street flying onto the sidewalks. So I considered posting a photo and complaining about their work crews, who can and have gone slower along the streets when they see me clearing the sidewalks, and when they do that, the snow doesn’t go flying onto the sidewalks. But I didn’t like the photos I was getting. The lighting wasn’t bright enough and I wasn’t able to get my camera to focus in on my finger. Wei-Wei’s fingers aren’t always tack sharp either, but I wasn’t looking to get an exact replica of the kind of photos he took. So ultimately I moved away from that as his photos do carry a lot of history, and more serious issues that people have with more authoritarian governments, and I didn’t necessarily want to equate my gripe with my local city government to those who have much more serious concerns, which can even border on matters of freedom or life and death circumstances. I also wanted my finger to be in focus, without using flash, and that just wasn’t happening because of when I tried making this photo, in the early evening. I think that photo would have been easier to make had I done it earlier in the day when it was brighter. You can see one of Wei-Wei’s photos compared with my attempt posted below.

    The decision to shoot the other finger made more sense, it was easier to get different angles of it, and it didn’t have the negative connotations that the middle finger has, as it’s often associated with a rude gesture.

  3. Describe what it was like to chose a body part to portray? Overall, I admit I had some problems trying to figure out which body part to shoot for this project. I wish I had made the decision to shoot that finger earlier in the day as it’s easy to shoot that anytime, I could have played with it under different lighting conditions and doing different things… which would have given me more photos to choose from at the end of the day.

  4. Describe what it was like to see the result? I’m happier with my index finger photos though. I still shot them outside, but closer to my house where I got nice lighting from a motion sensor light that was on. I could have tried the middle finger again but without the sidewalk shown, it would not have had the same connotations as my original idea had - I’d have been just flipping the bird at a small pile of snow. So I took a photo of my finger shown holding the shovel, and then I took several shots of just my finger in the same spot.

SKILLSHARE - “Sort” - SELF PORTRAITS: TELLING YOUR UNIQUE STORY

Today, I completed a short workshop on Skillshare called SELF PORTRAITS: TELLING YOUR UNIQUE STORY, by photographer Tabitha Park. Specifically, my project expresses the story of my ongoing struggle to organize my house.

Brainstorming…

In my word web, mind mapping / brainstorming session I thought about several possible projects including spending more time with my dog Kira, after having had to put down a second dog I had, Chanel, after a cancerous golf ball like tumour was discovered. A second project involved possibly photographing myself clearing snow. And then this idea was there too. I’ve photographed this part of my life before, but I’m becoming more determined to actually do something about it now.

Artist’s Statement…

I wanted to create a series that highlighted the claustrophobic feeling I get when I approach this challenge. Using my Sony ZV-1 camera, I shot the series using manual mode, ISO250, with 24mm @ 1/6s in a RAW file format. To keep the camera steady, I did mount it on a tripod. And inspired by Professor Park’s example, I was able to find the settings to start shooting after 4s and to take 5 or 6 shots with the camera having a 4s interval between each shot. My low f-stop also meant I would be blurred as I worked on starting to sort recycling that needs to go to the depot. I think I knew this would happen but then I was pleasantly surprised at the shots where I was blurry. For the first time, I edited the photos in Adobe Lightroom for iPhone. The only downside to this was the inability to batch process the five photos I selected from the two dozen I shot. I had found a lovely recommended preset that the program suggested for the first three photos photos. But I couldn’t figure out how to apply them to the last two photos, as the program recommended totally different presets.

Overall I am happy with these shots. I guess I could have avoided the presets and just edited each photo individually. I’m noticing in the last photo the blues are a bit darker from the early shots.

“It’s important to take self portraits over time, because it will tell your story as it changes… It’s depicting your physical and emotional change(s), and you can look back and remember what you were thinking and feeling at the time. You have a record of each of these times in your life and who you were, and all the facets of who you are as a human.” - Tabitha Park, from her SkillShare workshop, SELF PORTRAITS: TELLING YOUR UNIQUE STORY

These photos were originally posted to Skillshare, 500px, Flickr, Instagram / Instagram, and VSCO.

Certificate of Completion…

The following is my certificate of completion for having completed SELF PORTRAITS: TELLING YOUR UNIQUE STORY.

playing around with contrast: inside a fine art photographic technique

contrast adjustments…

This short journal post is from a presentation I gave in spring 2019 where I discussed how adjusting your contrast can be an interesting way of shooting different subjects and landscapes. This process helps to darken (underexpose) or lighten (overexpose) a scene that I have found can help to add new conceptual meaning to whatever is being photographed.

Ultimately, this is something that can easily be done in camera. Just play around with increasing or decreasing your shutter speed or aperture (f-stop) to create photographs that are purposely under or over exposed. Alternatively, you can shoot a perfectly exposed photo in camera and then fiddle with the contrast in Photoshop, as I did with this photo, titled wal-art 3, of an aisle in Walmart I took in August 2012 and then overexposed it (to make it look brighter than it should) using Photoshop…

wal-art 3

To be completely honest, I had not originally planned to overexpose the images. I only did it after finding out that for some reason, the focus was soft across my images. By overexposing them, you didn’t notice that and it also added a whole other depth to how the content of the photo was presented.

Artist & photographer Paul Graham has also overexposed some of his photographs, as he did with his American Night series of photographs, like this one, American Night #16, from 2000…

wal-art 3

Graham overexposes his photos so much that they at times almost appear ghostly white, with very little of the photo’s original colour left behind. Graham’s American Night photographs formed part of a series of photographs he shot using this technique (as was my wal-art shot, it too is part of a on-going series).

Doing it in camera can be a bit risky as you are ultimately stuck with what you get. If you are at a location you might not be able to return to, it might be better to shoot a perfectly exposed image and then play with it later in Photoshop. Or, if you have time, take a perfectly exposed shot and then take a few shots where you experiment in camera.

making contrast adjustment in photoshop…

If you really want to over or underexpose in Photoshop, here’s where to look:

IMAGE > ADJUSTMENTS > BRIGHTNESS / CONTRAST

This provides a good start, but sometimes it’s not enough so go to the next option…

IMAGE > ADJUSTMENTS > EXPOSURE

Then adjust ‘exposure,’ and possibly adjust ‘gamma correction’ if needed.

Finally, you can also adjust your LEVELS or CURVES (also found in the IMAGE > ADJUSTMENTS drop-down menu). In LEVELS, you can play with the INPUT and OUTPUT LEVELS; and in curves you can adjust, well the curves (Cross Process can be fun too).

More Inspiration…

Unlike other alternative photographic process topics I’ve been exploring, there aren’t many YouTube videos on this specific topic, but I did find one…

This next video gives some solid tips for creating soft and airy photographs by experimenting with some of the ideas talked about here, but also by exploring other elements from lens choice to other camera settings which allow the backgrounds to appear under or over exposed while keeping the main subjects nicely exposed and in focus…