Revision 01
Tom’s exhausted eyes did their best to study his soiled fingers, black from the hours he had put into his latest charcoal drawing. The paper was attached to a thin board which sat clamped to a wooden easel which cast a long shadow across the white wall of his basement studio. One trick Tom loved was to brush a thick layer of charcoal powder onto the bristol paper and remove it by gently rubbing his index and middle fingers along the smooth surface, shaping the dust and pulling the white of the paper back out to form the images he saw in his mind. Often though, his memory would fail to remind him to pick up more charcoal from the local art store before getting lost in another long Saturday night of drawing that would usually stretch late into Sunday afternoon. So, by the time he ran out of charcoal the next morning, Tom couldn't climb aboard a trolly and whip downtown to the art supply store, as it was closed on Sundays. And without fail, this was exactly what happened today.
Tom stood there wondering how to proceed. He could keep working on the piece, the half finished profile of a young woman he’d seen at a cafe earlier in the week, or he could turn to work on something else, like one of a half dozen unfinished paintings that sat stacked in the corner, with a few hung on the wall. Tom took a few steps back, and sat down on a stool, his legs feeling relief from having held him up for so many hours. Sometimes, like a tiger, he'd use his charcoal stained paws to scrape up the powder that had sprinkled from the paper to the floor, but Tom wasn't really a fan of doing this. He was never able to pretend to even like using charcoal as a powder but it was a technique that worked, producing a chiaroscuro effect he’d become fond of over the years. Most of the time he liked to use sticks of varying sizes, which he could snap apart like carrots into smaller sizes if needed. But ultimately his best work involved a combination of both techniques.
One year, Shelly gave Tom the oddest art appliance, an electric eraser which he occasionally uses to remove charcoal. But he found the toy difficult to control, and Tom found that if he wasn't careful the eraser would tear right through the paper like wire cutters slicing through the steel mesh of a wire cage. As such, he preferred to just hold a grey kneaded eraser between his soiled fingers, working the putty in various directions: circles, lines, rings and other curvilinear motions.
When a drawing failed to connect to the vision floating around in his mind, Tom would grow frustrated, using the most horrid language ever so softly, just under his breath, like a cackling crow high up in a tree: something you could see hopping around but couldn’t quite hear. But that wasn't the case today. The image had easily flowed from his mind through the vessel of his fingers and onto the page. He was out of charcoal powder, so future layers of the alluring siren would have to be sketched out another day. So, with his hands sore and his clothes filthy from being used like a cloth, he just left the work as is. Turning off the lights Tom walked upstairs to his lonely bed, undressing along the way. Once he reached his bed he was naked, and he fell into its softness with ease. His eyes closed, Tom soon became lost in glimpses of future drawings that would pop and explode in small bursts like fireworks across the synapses of his tired mind.
(627 Words!)
Revision 02
Tom’s exhausted eyes did their best to study his soiled fingers, black from work on his latest charcoal drawing. One trick Tom loved was to brush a thick layer of charcoal powder onto a sheet of Bristol vellum paper securely attached to a thin wooden board, which was clamped to an easel in his basement studio. Tom removed the powder by gently rubbing his fingers along the slightly toothy surface, shaping the dust by pulling the white of the paper back out from underneath the powder to form the images he saw in his mind. Sometimes, a kneaded eraser or a small chamois cloth also aided Tom in his shaping of the dust. Often though, Tom forgot to pick up more charcoal from the local art supply store before getting lost in another long Saturday night of drawing that usually stretched into Sunday afternoon. So, when he ran out of charcoal in the morning, Tom couldn't go to the art store as it was closed, which was what happened today.
Tom stood there wondering how to proceed. He could keep working on the piece by using some sort of graphite pencil, or he could work on something else, like one of the half dozen unfinished paintings that sat in the corner, with a few more hung on the wall. Tom took a few steps back, coming to rest on a stool, his legs enjoying the relief from having held him up for so many hours. Sometimes, like a tiger, he'd use his charcoal stained paws to scrape up the powder that had sprinkled from the paper to the floor, but Tom wasn't really a fan of doing this. He was never able to pretend to even like using charcoal as a powder, but it was a technique that worked for him, producing a chiaroscuro effect he’d become fond of over the years. To finish his pieces, Tom liked to use willow charcoal of varying thickness, which he could snap apart like carrots into smaller sizes if needed.
One year, Sally gave Tom the oddest art appliance, an electric eraser which he still occasionally uses to remove charcoal. He found the toy difficult to control, and if he wasn't careful the eraser would tear right through the paper like tin snips slicing through a thin sheet of metal. As such, he preferred to just hold a grey kneaded eraser between his soiled fingers, working the putty in various circles, lines, rings and other curvilinear directions.
When a drawing failed to connect to the vision floating in his mind, Tom grew frustrated, using the most horrid language just under his breath, like a cackling crow high up in a tree: something you could see frantically hopping around on a branch, but couldn’t quite hear. Today though, the image had easily flowed from his mind through his fingers onto the page. He was out of charcoal powder, so future layers of the alluring siren he was coaxing from the page would have to be finished another day. So, with his hands sore and his clothes filthy from being used as a cloth, he just left the work as is. Turning off the lights Tom walked upstairs to his lonely bed, undressing along the way. Once he reached his bed he was naked, falling into its softness with ease. His eyes closed, Tom soon became lost in the dreamy glimpses of future drawings that would pop and explode in small bursts like fireworks across the synapses of his mind.
(585 Words)
Revision 03
Tom’s exhausted eyes did their best to study his soiled fingers, black from work on his latest drawing. A trick Tom loved was to brush a layer of charcoal powder onto a sheet of Bristol vellum paper attached to a thin wooden board, clamped to an easel in his studio. Tom removed the powder by gently rubbing his fingers along the toothy surface, shaping the dust by pulling the white of the paper back out from underneath the powder to form the images he saw in his mind. Once again though, Tom forgot to pick up more charcoal from the art supply store that was closed every Sunday, before getting lost in another Saturday night of drawing which usually stretched late into the next afternoon. So, when Tom ran out of charcoal in the morning, he couldn't go to the store as it was closed on Sundays.
Tom felt like he was stuck in a cage whenever this happened. He could keep working on the piece by using some sort of graphite pencil; or he could work on something else, like one of the half dozen unfinished paintings that sat in the corner, with a few more hung up on the wall. Tom took a few steps back, coming to rest on a stool, his legs relieved from having held him up for such a long time. Sometimes, like a tiger, he'd use his charcoal stained paws to scrape up the powder that had sprinkled from the paper to the floor, but Tom wasn't really a fan of doing this. He was never even able to pretend to like using powdered charcoal, but it was a technique that worked for him, producing a chiaroscuro effect he’d become fond of over the years. To finish his pieces, Tom liked to use an assortment of willow charcoal in varying thickness, which he could snap apart like carrots into smaller sizes if needed.
One year, Sally gave Tom the oddest art appliance, an electric eraser which he still occasionally uses to remove charcoal. Tom found the toy difficult to control, and if he wasn't careful the eraser would tear right through the paper like tin snips slicing through a thin sheet of metal. Sometimes he wondered if the gift was given as a prank, but his love for Sally always pushed that thought aside. Ultimately, he preferred to use three things when developing a work: his fingers; a grey kneaded eraser that had degraded into a ball of putty over time; or a chamois cloth. All of these options assisted Tom in creating the various lines, rings and other curvilinear directions he desired.
When a drawing failed to connect to the vision floating in his mind, Tom grew frustrated, using the most horrid language just under his breath, like a cackling crow high up in a tree: something you could see frantically hopping around on a branch, but couldn’t quite hear. Today though, the image had flowed easily from his mind through his fingers onto the page. He was still out of charcoal powder and willow sticks, so future layers of the alluring siren he was coaxing from the page would have to be finished another day. So, with his hands sore and his clothes filthy from being used as a cloth, Tom left his basement studio and sleep walked upstairs. Undressing along the way, he was naked by the time he fell into the softness of his bed. Tom soon became lost in the glimpses of future drawings that would pop and explode in like fireworks across the synapses of his mind.
(600 Words!)
Revision 04 - FINAL REVISION
Every week, Tom brushed layers of charcoal powder onto Bristol vellum, which he then removed by rubbing his fingers in various lines, contours, and rings across its toothy surface. This trick slowly revealed the drawing from Tom’s memory by pulling the white of the paper out from underneath the soot. Years ago, Sally gave Tom the strangest appliance: an electric eraser. He sometimes thought Sally’s gift was a prank, but his love for her pushed that aside. So, Tom used it to cut stronger lines into the charcoal, but if he wasn't careful it tore through paper like tin snips slicing through metal sheets.
Sadly, Tom often forgot to get more charcoal from the art store before this expressive Saturday night. So, when he ran out early Sunday moaning, Tom felt as if he was stuck in a cage. He couldn’t climb aboard a trolly to get more, as the art store closed on Sundays. Sometimes, Tom used his charcoal-stained paws like a tiger to scrape up powder that had sprinkled onto the floor, but this wasn’t very effective. He didn’t even pretend to like powdered charcoal, but it produced a chiaroscuro effect he loved. To finish his work, Tom added details with willow charcoal of varying thicknesses, which he could snap apart like carrots into smaller sizes if needed.
When a drawing failed to represent his vision, Tom grew frustrated, using horrid whispers like a cackling crow: something you could see frantically hopping around on a branch high up in a tree, but couldn’t quite hear from your spot on the ground. Today though, the vision flowed easily onto the page. He was still out of charcoal though, so future layers of the alluring siren he was coaxing from the page would have to be finished another time. With his body aching and his clothes filthy, Tom sleepwalked upstairs, undressing along the way so that he was naked by the time he collapsed into the softness of his bed. As he slept, Tom enjoyed glimpses of future drawings, which exploded like fireworks across the synapses of his mind.
(349 Words 🤪🙏🤪🙏🤪 )
Word Count History: 375 to 627 to 585 to 594 🥺 to 600 to 508 to 492 to 476 to 450 to 444 to 424 to 399 to 392 to 381 to 375 to 366 to 349!